about V I C T R O L U X
I bring a breadth of animation styles to collaborations on film, documentary, music video, dance, theater, corporate, public art and private projects.
My work is a swirl of video, animation and painting; an artistic mix of hand made and machine made visuals. “Digital monk’s work” … meticulously crafted, powerful, yet subtle; with both sweeping scope and humble attention to detail.
My roots are in experimental filmmaking, audio collage, stereoscopic & hand colored photography. My loves are art, time & weather.
SALESFORCE TOWER TOP ART (invited to create a piece for an amazing venue, Oct 2024)
BBC (animation for mini-series “Gory Greek Gods“)
FOGHORN CREATIVE (VMware corporate event, opening animation)
FIN RECORDS (music videos, “China, My China“, “Apocalypse Cow“)
GEORGE R. BROWN CONVENTION CENTER (abstract animation for public screens)
DAVID HAHN (music video, “Apocalypse Cow“, “Zagreb Everywhere“, “Now Moment“)
ELAHE MASSUMI (visual effects for feature film “Roxana“)
LANCE RICHTER (independent producer of corporate projects)
LIFE LONG FRIENDS PRODUCTIONS (music video Redemption)
MARTIN BRINKERHOFF ASSOCIATES (Honda, Kia, Korn/Ferry animation)
MIROJOY GROUP (multimedia performance “Zagreb Everywhere“)
OAKLAND CULTURAL AFFAIRS & MARKETING (animation for “The Great Wall of Oakland”)
OAKLAND INTERNATIONAL AIRPORT (animation for 24/7 Media Wall)
SCREENPLAY (Bon-Macy’s, Steve Madden’s in-store animation)
PATTI O’BRIEN (web design and graphics)
SYNTHETIK SOFTWARE (animation examples for their website, training, software tester)
THE DIVING BELL (music video, “China, My China“)
VERRIERES & SAKO (fashion runway animation)
VICTORY MEDIA NETWORK (American Airlines Center super media wall animation)
My work could not exist without the amazing graphics software STUDIO ARTIST invented by John Dalton of Synthetik Software. Synthetik has supported my development over the years and used my feedback to help expand and refine the video side of Studio Artist. Synthetik has developed powerful digital tools that balance creative interaction with intelligent assistance. They’ve enabled me to intuitively explore a sweeping creative landscape. I’ve ridden Studio Artist like a wild mustang for almost 20 years; it has taken me places I could never have imagined going. It’s been a great relationship.